Product Description
Hard To Find Actual 1979 Japanese First Pressing Of The Second Van Halen LP ~ Still In Top Condition! Includes Colour Insert With Photos Of VH, PlusLyric Sheet In English & Japanese. Labels Are Clean. Features “You’re No Good”, “Dance The Night Away”, “Somebody Get Me A Doctor” & Eddie Van Halen’s Amazing Guitar Instrumental, “Spanish Fly”.
Condition – Vinyl: NEARE MINT! Sounds bloody awesome!
Condition – Cover: EXCELLENT! So well preserved for over 46 years!
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Top condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
You’re No Good
Dance The Night Away
Somebody Get Me A Doctor
Bottoms Up!
Outta Love Again
Side 2:
Light Up The Sky
Spanish Fly
D.O.A.
Women In Love …
Beautiful Girls
AMG –
Showcasing Diamond Dave's knowing shuck and jive and Eddie's phenomenal gift, so natural it seems to just flow out of him. Some of the grandest hard rock ever made. It's called Van Halen II not just because it's the band's second album but because it's virtually a carbon copy of their 1978 debut, right down to how the band showcases their prowess via covers and how Eddie Van Halen gets a brief, shining moment to showcase his guitar genius. This time, he does his thing on acoustic guitars on the remarkable "Spanish Fly," but that temporary shift from electrics to acoustics is the only true notable difference in attack here; in every other way, Van Halen II feels like its predecessor, even if there are subtle differences. First, there's only one cover this time around -- Betty Everett's "You're No Good," surely learned from Linda Ronstadt -- and this feels both heavier and lighter than the debut. Heavier in that this sounds big and powerful, driven by mastodon riffs that aim straight of the gut. Lighter in that there's a nimbleness to the attack, in that there are pop hooks to the best songs, in that the group sounds emboldened by their success so they're swaggering with a confidence that's alluring. If the classic ratio is slightly lighter than on the debut, there are no bad songs and the best moments here -- two bona fide party anthems in "Dance the Night Away" and "Beautiful Girls," songs that embody everything the band was about -- are lighter, funnier than anything on the debut, showcases for both Diamond Dave's knowing shuck and jive and Eddie's phenomenal gift, so natural it seems to just flow out of him. At this point, it's hard not to marvel at these two frontmen, and hard not to be sucked into the vortex of some of the grandest hard rock ever made.