Allman Brothers Band – Eat A Peach (2LP Vinyl) Japanese Pressing
Warner Brothers Records (1972)
$80.00
Rare Actual 1972 2LP Japanese Pressing ~ High Quality Vinyl! Heavy Grade Textured Gatefold Cover Includes Two Inserts.
1 in stock
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Rare Actual 1972 2LP Japanese Pressing ~ High Quality Vinyl Still In Very Well Preserved Condition! Heavy Grade Textured Gatefold Cover Includes Two Inserts, One Is Textured With Credits & The Other Has Lyrics In English. ‘Eat A Peach’ Features Allman Brothers Studio Tracks (With & Without Duane), Along With Recordings From The Group’s Legendary 1971 Fillmore East Performances. All Material Previously Unreleased.
Condition – Vinyl: EXCELLENT!
Condition – Cover: VERY GOOD PLUS! Some signs of foxing on outer gatefold (inner gatefold is Excellent), 4″ split on top edges.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Top condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Ain’t Wastin’ Time No More
Les Brers In A Minor
Melissa
Side 2:
Mountain Jam
Side 3:
One Way Out
Trouble No More
Stand Back
Blue Sky
Little Martha
Side 4:
Mountain Jam Cont’d.
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Warner Brothers Records (1972)
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AMG –
This tribute to Duane isn't just heartfelt, it offers proof of his immense talents and contribution to the band. A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led Brothers and Sisters, particularly on the lovely "Melissa," and this stands in direct contrast with the monumental live cuts that dominate the album. They're at the best on the punchier covers of "One Way Out" and "Trouble No More," both proof of the group's exceptional talents as a roadhouse blues-rock band, but Duane does get his needed showcase on "Mountain Jam," a sprawling 33-minute jam that features a lot of great playing. The record showcases the Allmans at their peak, and it's hard not to feel sad as the acoustic guitars of "Little Martha" conclude the record, since this tribute isn't just heartfelt, it offers proof of Duane Allman's immense talents and contribution to the band.