Product Description
Rare Early High Quality Japanese Pressing Of The Very Highly Regarded Sophomore Album By The Band! Includes Insert With Lyrics In English & Notes In Japanese, Labels Are Clean. Vinyl Still In Beautiful Condition Over 47 Years Later!
Condition – Vinyl: NEAR MINT!
Condition – Cover: EXCELLENT! Light ring wear, some edge wear. No writing, foxing, sticker marks, tears or splits.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. The covers are printed on better quality heavy stock paper. Near Mint condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Across The Great Divide
Rag Mama Rag
The Night They Drove Old Dixie Down
When You Awake
Up On Cripple Creek
Whispering Pines
Side 2:
Jemima Surrender
Rockin’ Chair
Look Out Cleveland
Jawbone
The Unfaithful Servant
King Harvest (Has Surely Come)
AMG –
Accomplished, distinctive, harmonic... a timeless classic! The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down." The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including "Whispering Pines" and "When You Awake" (both co-written by Richard Manuel), with rollicking up-tempo numbers like "Rag Mama Rag" and "Up on Cripple Creek" (both sung by Levon Helm and released as singles, with "Up on Cripple Creek" making the Top 40). As had been true of the first album, it was The Band's sound that stood out the most, from Helm's (and occasionally Manuel's) propulsive drumming to Robertson's distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor.