Product Description
Brand New ~ Sealed! Reissue Of The 20th Anniversary Special Edition On Quality 180 Gram Double Vinyl! Newly Remastered From Original Analog Tapes. Gatefold Cover, Records Have Picture Labels. The Fantastic Fourth Soundgarden Album Includes “Black Hole Sun”, “The Day I Tried To Live”, “Fell On Black Days” & Bonus Track!
Side 1:
Let Me Drown
My Wave
Fell On Black Days
Mailman
Side 2:
Superunknown
Head Down
Black Hole Sun
Side 3:
Spoonman
Limo Wreck
The Day I Tried To Live
Kickstand
Side 4:
Fresh Tendrils
4th Of July
Half
Like Suicide
She Likes Surprises (Bonus Track)
AMG –
Superunknown is such a rich listen, with layered arrangements, sweeping epics and mastery of songcraft. Soundgarden's finest hour, Superunknown is a sprawling, 70-minute magnum opus that pushes beyond any previous boundaries. Soundgarden had always loved replicating Led Zeppelin and Black Sabbath riffs, but Superunknown's debt is more to mid-period Zep's layered arrangements and sweeping epics. Their earlier punk influences are rarely detectable, replaced by surprisingly effective appropriations of pop and psychedelia. Badmotorfinger boasted more than its fair share of indelible riffs, but here the main hooks reside mostly in Chris Cornell's vocals; accordingly, he's mixed right up front, floating over the band instead of cutting through it. The rest of the production is just as crisp, with the band achieving a huge, robust sound that makes even the heaviest songs sound deceptively bright. But the most important reason Superunknown is such a rich listen is twofold: the band's embrace of psychedelia, and their rapidly progressing mastery of songcraft. Soundgarden had always been a little mind-bending, but the full-on experiments with psychedelia give them a much wider sonic palette, paving the way for less metallic sounds and instruments, more detailed arrangements, and a bridge into pop (which made the eerie ballad "Black Hole Sun" an inescapable hit). That blossoming melodic skill is apparent on most of the record, not just the poppier songs and Cornell-penned hits; though a couple of drummer Matt Cameron's contributions are pretty undistinguished, they're easy to overlook, given the overall consistency. The focused songwriting allows the band to stretch material out for grander effect, without sinking into the pointlessly drawn-out muck that cluttered their early records. The dissonance and odd time signatures are still in force, though not as jarring or immediately obvious, which means that the album reveals more subtleties with each listen. It's obvious that Superunknown was consciously styled as a masterwork, and it fulfills every ambition.