Paul McCartney And Wings – Red Rose Speedway (Vinyl) Japanese Pressing
Apple Records (1973 / This Pressing 1975)
$40.00
Scarce Early Japanese Pressing In Top Condition! Deluxe Gatefold Cover Package Includes 12-Page Booklet With Illustrations, Photos & Lyrics In English, Plus 10-Page Japanese Booklet!!
1 in stock
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Scarce Early Japanese Pressing Of The Fourth LP To Be Released By Paul McCartney After The Beatles Broke Up. Deluxe Gatefold Cover Package Includes 12-Page Booklet With Illustrations, Photos & Lyrics In English, Plus 10-Page Japanese Booklet ~ All In Top Condition!!
Condition – Vinyl: EXCELLENT! Very light scuff on Side 1 does not affect play.
Condition – Cover: EXCELLENT! Light wear, line of fading down spine.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Top Condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Big Barn Bed
My Love
Get On The Right Thing
One More Kiss
Little Lamb
Dragonfly
Side 2:
Single Pigeon
When The Night
Loup (First Indian On The Moon)
Medley: Hold Me Tight / Lazy Dynamite / Hands Of Love / Power Cut
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Apple Records (1973 / This Pressing 1975)
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AMG –
All right, he's made a record with his wife and a record with his pickup band where democracy is allegedly the conceit even if it never sounds that way, so he returns to a solo effort, making the most disjointed album he ever cut. There's a certain fascination to its fragmented nature, not just because it's decidedly on the softer side of things, but because his desire for homegrown eccentricity has been fused with his inclination for bombastic art rock à la Abbey Road. Consequently, Red Rose Speedway winds up being a really strange record, one that veers toward the schmaltzy AOR MOR (especially on the hit single "My Love"), yet is thoroughly twisted in its own desire toward domestic art. As a result, this is every bit as insular as the lo-fi records of the early '90s, but considerably more artful, since it was, after all, designed by one of the great pop composers of the century. Yes, the greatest songs here are slight -- "Big Barn Bed," "One More Kiss," and "When the Night" -- but this is a deliberately slight record (slight in the way a snapshot album is important to a family yet glazes the eyes of any outside observer). Work your way into the inner circle, and McCartney's little flourishes are intoxicating -- not just the melodies, but the facile production and offhand invention. If these are miniscule steps forward, consider this: if Brian Wilson can be praised for his half-assed ideas and execution, then why not McCartney, who has more character here than the Beach Boys did on their Brother records? Truthfully.