Kate Bush – The Dreaming (Vinyl) Original Japanese Pressing
EMI Records (1982)
$49.00
Rare Actual 1982 Japanese First Pressing Of The Wonderful Fourth Kate Bush LP! Vinyl & Cover In Immaculate Condition! Includes 4-Page Insert With Lyrics In English & Japanese.
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Product Description
Rare Actual 1982 Japanese First Pressing Of The Wonderful Fourth Kate Bush LP! Vinyl & Cover In Immaculate Condition! Includes 4-Page Insert With Lyrics In English & Japanese.
Condition – Vinyl: NEAR MINT!
Condition – Cover: NEAR MINT!
Side 1:
Sat In Your Lap
There Goes A Tenner
Pull Out The Pin
Suspended In Gaffa
Leave It Open
Side 2:
The Dreaming
Night Of The Swallow
All The Love
Houdini
Get Out Of My House
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EMI Records (1982)
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AMG –
One of Kate's underrated achievements -- a theatrical and abstract piece of work... brilliant! Four albums into her burgeoning career, Kate Bush's The Dreaming is a theatrical and abstract piece of work, as well as Bush's first effort in the production seat. She throws herself in head first, incorporating various vocal loops, sometimes campy, but always romantic and inquisitive of emotion. She's angry and pensive throughout the entire album, typically poetic while pushing around the notions of a male-dominated world. However, Kate Bush is a daydreamer. Unfortunately, The Dreaming, with all it's intricate mystical beauty, isn't fully embraced compared to her later work. Album opener "Sat in Your Lap" is a frightening slight on individual intellect, with a booming chorus echoing over throbbing percussion and a butchered brass section. "Leave It Open" is goth-like with Bush's dark brooding, which is a suspending scale of vocalic laments, but it's the vivacious and moody "Get Out of My House" that truly brings Bush's many talents for art and music to the forefront. It prances with dripping piano drops and gritty guitar, and the violent rage felt as she screams "Slamming," sparking a fury similar to what Tori Amos later ignited during her inception throughout the '90s. Not one to be in fear of fear, The Dreaming is one of Kate Bush's underrated achievements in depicting her own visions of love, relationships, and role play, not to mention a brilliant predecessor to the charming beauty of 1985's Hounds of Love.