Graham Nash / David Crosby – Graham Nash / David Crosby (Vinyl) Original Japanese Pressing
Atlantic Records (1969 / This Pressing 1976)
$40.00
Rare Original 1972 Japanese Pressing! Unique Die-Cut Inner Opening Tri-Fold Cover Includes Textured Inner Sleeve With Lyrics.
1 in stock
Product Description
Rare Original 1972 Japanese Pressing! Unique Die-Cut Inner Opening Tri-Fold Cover Includes Textured Inner Sleeve With Lyrics.
The First (& Best) Of Several Graham Nash / David Crosby LPs To Be Released As A Duo, Alongside Their Work With Crosby, Stills & Nash.
Condition – Vinyl: EXCELLENT!
Condition – Cover: VERY GOOD PLUS! Shelf wear.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Top condition original Japanese pressings are becoming scarcer — and therefore more collectable and valuable every year.
Side 1:
Southbound Train
Whole Cloth
Blacknotes
Strangers Room
Where Will I Be?
Page 43
Side 2:
Frozen Smiles
Games
Girl To Be On My Mind
The Wall Song
Immigration Man
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Atlantic Records (1969 / This Pressing 1976)
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AMG –
The most impressive side project to arise from CSN… punctuated by their complicated vocal arrangements and air-lock harmonies. This self-titled release is one of -- if not arguably the -- most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash. The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Déjà Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" -- a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening -- a live acoustic release from October 10, 1971 -- which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room."