Product Description
Scarce Top Quality Actual 1977 Japanese First Pressing! High Gloss Laminated Gatefold Cover Includes Inner Sleeves & 4-Page Insert With Lyrics In English. Records Have Picture Labels. Genesis Captured Live In Concert, 1976 & 1977.
Condition – Vinyl: NEAR MINT! Sounds fantastic!!
Condition – Cover: NEAR MINT! Beautifully preserved.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautiful packaging. It is no coincidence that all the original Mobile Fidelity Sound Lab records were pressed in Japan! Near Mint condition original Japanese pressings are becoming scarcer ~ therefore more collectable and valuable every year.
Side 1:
Squonk
The Carpet Crawl
Robbery Assault & Battery
Afterglow
Side 2:
Firth Of Fifth
I Know What I Like (In Your Wardrobe)
The Lamb Lies Down On Broadway
The Musical Box
Side 3:
Supper’s Ready
a. Lover’s Leap
b. The Guaranteed Eternal Sanctuary Man
c. Ikhnaton And Itsacon And Their Band Of Merry Men
d. How Dare I Be So Beautiful?
e. Willow Farm
f. Apocalypse In 9/8 (Co-Starring The Delicious Talents Of Gabble Ratchet)
g. As Sure As Eggs Is Eggs (Aching Men’s Feet)
Side 4:
Cinema Show
Dance On A Volcano
Los Endos
Geoff –
One of the best progressive rock live albums ever released, 'Seconds Out' features brilliant musicianship and magnificent sound production! 'Seconds Out' is one of the best progressive rock live albums ever released, covering material from the group's peak period, from 'Nursery Cryme' to 'Wind & Wuthering'. The 'Trick of the Tail' album gets the most coverage (four songs), while the epic masterpiece "Supper's Ready" from 'Foxtrot', takes up an entire side. By this stage, Peter Gabriel had long gone and Phil Collins was giving admirable performances as frontman, reproducing many classics from the Gabriel era. With Collins now in the lead, the drumming was skillfully performed by Chester Thompson (of Weather Report and Frank Zappa fame). One song, "Cinema Show", features the impeccable Bill Bruford (King Crimson, Yes) during his very short tenure with the group. The musicianship on 'Seconds Out' is nothing short of brilliant and the sound production is magnificent!
AMG –
Seconds Out caught the band straddling both ends of their history, their second concert album and this time out a double LP. Depending upon your point of view, Genesis in 1976/1977 was either a band ascending toward its peak commercially, or a group crippled by the departure of a key member, and living on artistic borrowed time. In reality, they were sort of both, and fortunately for the members, their commerciality was more important than their artistic street cred, as their burgeoning record sales and huge audiences on tour during that period attested. Seconds Out caught the band straddling both ends of their history, their second concert album and this time out a double LP. Apart from capitalizing on a successful tour, the album's raison d'etre appears to have been to present the case to critics and longtime fans that post-Peter Gabriel Genesis, with Phil Collins as lead singer, was essentially the same band as Genesis fronted by Peter Gabriel. The original side one songs consisted of repertory from such post-Gabriel albums as Trick of the Tail and Wind & Wuthering, and most of those live versions, including "Squonk," "The Carpet Crawl" (positively ethereal), and "Afterglow," are superior to the original studio renditions of the same songs. Indeed, part of the beauty of this album is the sheer flexibility of the band during this period -- in addition to superb vocals by Collins throughout, the drumming by Chester Thompson is at least a match for Collins' best playing. On that older repertory (which comprised sides two and three of the LP version), the results are more mixed, though still surprisingly enjoyable -- on "The Lamb Lies Down on Broadway," despite the best efforts of Collins, backed by Michael Rutherford's and Tony Banks's singing, he really can't match the subtlety or expressiveness of Gabriel's singing, though he comes close; he actually fares slightly better on the closing section of "The Musical Box," a piece that requires power as much as subtlety. "Supper's Ready" -- which, sung by Gabriel, missed making it onto 1973's live album -- holds up well, mostly by virtue of the playing; and in fairness, the band even extended itself to including "Cinema Show," which is worth hearing just for Bill Bruford's transcendent drumming, over and above how well everything else works; as this track was never represented with Gabriel, even on the group's boxed set, it's difficult to complain too loudly about any weakness in Collins' singing.