Creedence Clearwater Revival – Cosmo’s Factory (Vinyl) Japanese Pressing
Fantasy Records (1970 / This Pressing 1978)
$99.00
Rare Early Japanese Pressing With Vinyl Still In Immaculate Condition! Includes Insert With Lyrics. Features “Travelin’ Band”, “Who’ll Stop The Rain” & “I Heard It Through The Grapevine”… Pure Analogue!
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Rare Early Japanese Pressing With Vinyl Still In Immaculate Condition! Includes Insert With Lyrics In English & Notes In Japanese. It Is Very Hard To Find This Classic Creedence Clearwater Revival LP In Such Well Preserved Condition! Pure Analogue Sound!
Features “Travelin’ Band”, “Lookin’ Out My Back Door”, “Who’ll Stop The Rain”, “Long As I Can See The Light” & The Super-Long Version Of “I Heard It Through The Grapevine”.
Condition – Vinyl: NEAR MINT! Appears to have hardly ever been played ~ sounds GREAT!
Condition – Cover: VERY GOOD PLUS! Some minor foxing inside gatefold, top edge neatly repaired.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Near Mint condition 1970s Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Ramble Tamble
Before You Accuse Me
Travelin’ Band
Ooby Dooby
Lookin’ Out My Back Door
Run Through The Jungle
Side 2:
Up Around The Bend
My Baby Left Me
Who’ll Stop The Rain
I Heard It Through The Grapevine
Long As I Can See The Light
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Fantasy Records (1970 / This Pressing 1978)
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AMG –
Aan album made during stress and chaos, filled with raging rockers, covers, and intense jams Throughout 1969 and into 1970, CCR toured incessantly and recorded nearly as much. Appropriately, Cosmo’s Factory’s first single was the working band’s anthem “Travelin’ Band,” a funny, piledriving rocker with a blaring horn section — the first indication their sonic palette was broadening. Two more singles appeared prior to the album’s release, backed by John Fogerty originals that rivaled the A-side or paled just slightly. When it came time to assemble a full album, Fogerty had only one original left, the claustrophobic, paranoid rocker “Ramble Tamble.” Unlike some extended instrumentals, this was dramatic and had a direction — a distinction made clear by the meandering jam that brings CCR’s version of “I Heard It Through the Grapevine” to 11 minutes. Even if it wanders, their take on the Marvin Gaye classic isn’t unpleasant, and their faithful, exuberant takes on the Sun classics “Ooby Dooby” and “My Baby Left Me” are joyous tributes. Still, the heart of the album lays in those six fantastic songs released on singles. “Up Around the Bend” is a searing rocker, one of their best, balanced by the menacing murkiness of “Run Through the Jungle.” “Who’ll Stop the Rain”‘s poignant melody and melancholy undertow has a counterpart in Fogerty’s dope song, “Lookin’ out My Back Door,” a charming, bright shuffle, filled with dancing animals and domestic bliss – he had never been as sweet and silly as he is here. On “Long as I Can See the Light,” the record’s final song, he again finds solace in home, anchored by a soulful, laid-back groove. It hits a comforting, elegiac note, the perfect way to draw Cosmo’s Factory — an album made during stress and chaos, filled with raging rockers, covers, and intense jams — to a close.