Can – Future Days (Vinyl) Limited Edition Gold Vinyl
Spoon Records (1973 / This Pressing 2021)
$55.00
Brand New ~ Sealed! Limited Edition Gold Vinyl Remastered Reissue Of Classic 1973 Album! Embossed Cover With Inner Sleeve. Includes Digital Download. NOTE: Price Reduced, Cover Slightly Damaged.
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Brand New ~ Sealed! Limited Edition Gold Vinyl Remastered Reissue Of The Classic 1973 Fifth Studio Album From Can! Embossed Cover With Inner Sleeve. Includes Digital Download.
NOTE: Price reduced by $20, as one corner of the cover is creased (see second photo).
Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilise and transcend all boundaries of ethnic, electronic experimental and modern classical music. Damo Suzuki’s last album with Can as Vocalist. Only 4 tracks, but includes the astonishing 20 minute version of Bel Air and the 3 minute pop masterpiece Moonshake. This 1973 epic encapsulates everything great about Can then and now. Can’s powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance ~ from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West and Radiohead ~ as well as across other disciplines such as visual art and literature.
Side 1:
Future Days (9:34)
Spray (8:28)
Moonshake (3:02)
Side 2:
Bel Air (20:00)
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Spoon Records (1973 / This Pressing 2021)
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On Future Days, Can fully explored the ambient direction they had introduced into their sound on the previous year's Ege Bamyasi, and in the process created a landmark in European electronic music. Where Ege Bamyasi had played fast and loose with elements of rock song structure, Future Days dispensed with these elements altogether, creating hazy, expansive soundscapes dominated by percolating rhythms and evocative layers of keys. Vocalist Damo Suzuki turns in his final and most inspired performance with the band. His singing, which takes the form here of a rhythmic, nonsensical murmur, is all minimal texture and shading. Apart from the delightfully concise single "Moonshake," the album is comprised of just three long atmospheric pieces of music. The title track eases us into the sonic wash, while "Spray" is built around Suzuki's eerie vocals, which weave in and out of the shimmering instrumental tracks. The closing "Bel Air" is a gloriously expansive piece of music that progresses almost imperceptibly, ending abruptly after exactly 20 minutes. Aptly titled, Future Days is fiercely progressive, calming, complex, intense, and beautiful all at once. It is one of Can's most fully realized and lasting achievements.