Beatles – Revolver (4LP + 7″ Vinyl) 2022 Special Limited Edition Deluxe Box Set
Universal Music Group / Apple Records (1966 / This Pressing 2022)
$375.00
Brand New ~ Sealed! Fabulous Deluxe Box Set! Four Half-Speed-Mastered 180 Gram Vinyl LPs + 7-Inch Vinyl EP In A 12.56″ x 12.36″ Slipcase. Includes The Original Mono Mix, 31 Session Takes & Home Demos, 100-Page Book & More!
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Brand New ~ Sealed! Four Half-Speed-Mastered 180 Gram Vinyl LPs + 7-Inch Vinyl EP In A 12.56″ x 12.36″ Slipcase. Fabulous Deluxe Box Set Featuring The Superb New Mix Of The Groundbreaking Masterpiece LP By The Beatles ~ ‘Revolver’, Packaged In Faithfully Replicated Sleeve. Also Includes The Original Mono Mix, A 4-track EP, 31 Session Takes & Home Demos, 100-Page Book With A Foreword By Paul McCartney, An Essay By Questlove, Detailed Track Notes, Photos & Ephemera Including Handwritten Lyrics, Tape Boxes & Extracts From Klaus Voormann’s Graphic Novel On The Making Of The Cover Art.
From “Taxman” to “Tomorrow Never Knows”, ‘Revolver’ has been newly mixed by producer Giles Martin and Sam Okell, sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd.
‘Revolver’ contains everything you love about The Beatles ~ a great variety of faultless songs, beautifully performed. A perfect album and one that always tops favourite charts.
Ranked #1 in Q’s ‘100 Greatest British Albums’.
Ranked #2 in NME’s list of the ‘Greatest Albums of All Time’.
Side 1 ~ 2022 Stereo Mix:
Taxman
Eleanor Rigby
I’m Only Sleeping
Love You To
Here, There And Everywhere
Yellow Submarine
She Said She Said
Side 2 ~ 2022 Stereo Mix:
Good Day Sunshine
And Your Bird Can Sing
For No One
Dr. Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
Side 3 ~ Revolver Sessions:
Tomorrow Never Knows (Take 1)
Tomorrow Never Knows (Mono Mix RM 11)
Got To Get You Into My Life (First Version – Take 5)
Got To Get You Into My Life (Second Version Unnumbered Mix)
Got To Get You Into My Life (Second Version – Take 8)
Love You To (Take 1)
Love You To (Unnumbered Rehearsal)
Side 4 ~ Revolver Sessions:
Love You To (Take 7)
Paperback Writer (Takes 1 And 2 – Backing Track)
Rain (Take 5 – Actual Speed)
Rain (Take 5 – Slowed Down For Master Tape)
Doctor Robert (Take 7)
And Your Bird Can Sing (First Version – Take 2)
And Your Bird Can Sing (First Version – Take 2) (Giggling)
Side 5 ~ Revolver Sessions:
And Your Bird Can Sing (Second Version – Take 5)
Taxman (Take 1)
I’m Only Sleeping (Rehearsal Fragment)
I’m Only Sleeping (Take 2)
I’m Only Sleeping (Take 5)
I’m Only Sleeping (Mono Mix RM1)
Eleanor Rigby (Speech Before Take 2)
Eleanor Rigby (Take 2)
Side 6 ~ Revolver Sessions:
For No One Take (10 Backing Track)
Yellow Submarine (Songwriting Work Tape Part 1)
Yellow Submarine (Songwriting Work Tape Part 2)
Yellow Submarine (Take 4 Before Sound Effects)
Yellow Submarine (Highlighted Sound Effects)
I Want To Tell You (Speech And Take 4)
Here, There And Everywhere (Take 6)
She Said She Said (John’s Demo)
She Said She Said (Take 15 – Backing Track Rehearsal)
Side 7 ~ Original Mono Master:
Taxman
Eleanor Rigby
I’m Only Sleeping
Love You To
Here, There And Everywhere
Yellow Submarine
She Said She Said
Side 8 ~ Original Mono Master:
Good Day Sunshine
And Your Bird Can Sing
For No One
Dr. Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
Side 9 ~ Revolver 7″ EP:
Paperback Writer (Stereo)
Rain (Stereo)
Side 10 ~ Revolver 7″ EP:
Paperback Writer (Mono)
Rain (Mono)
Additional Information
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Universal Music Group / Apple Records (1966 / This Pressing 2022)
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Revolver's daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound... he gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with the spiraling "She Said She Said" and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.