Aerosmith – Toys In The Attic (Vinyl) Original Japanese Pressing
Sony / CBS Records (1975)
$60.00
Rare 1975 Japanese First Pressing! With 4-Page Insert, Lyrics. “Walk This Way”, “Sweet Emotion”…
1 in stock
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Rare Actual 1975 Japanese First Pressing ~ Vinyl Still In Top Condition! Includes Original CBS Records Sleeve, Plus 4-Page Insert With Lyrics In English & Japanese. Labels Are Clean. The Smash Third Aerosmith LP Features The Hits “Walk This Way” & “Sweet Emotion”.
Condition – Vinyl: EXCELLENT! Incredibly, this record is nearly 50 years old!
Condition – Cover: VERY GOOD PLUS! Medium ring wear, creases.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. The covers are printed on better quality heavy stock paper. Nice condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Toys In The Attic
Uncle Salty
Adam’s Apple
Walk This Way
Big Ten Inch Record
Side 2:
Sweet Emotion
No More No More
Round And Round
You See Me Crying
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Sony / CBS Records (1975)
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Joe Perry turned out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion", Steven Tyler fully embraced sleaziness as his artistic muse. After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion", but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues "Big Ten Inch Record," Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it's the teenage heavy petting of "Walk This Way," the promiscuous "Sweet Emotion," or the double-entendres of "Uncle Salty" and "Adam's Apple." The rest of Aerosmith, led by Perry's dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this. Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.