Aerosmith – Rocks (Vinyl) Original Japanese Pressing
Sony / CBS Records (1976)
$59.00
Hard To Find Original Japanese Pressing! Textured Embossed Cover Includes 4-Page Photo Insert & Lyric Sheet. Features “Back In The Saddle”, “Last Child” & “Nobody’s Fault”. Many Would Say ‘Rocks’ Is The Best Aerosmith Album!
1 in stock
Product Description
Hard To Find Actual 1976 Japanese First Pressing Of The Fantastic Fourth Aerosmith LP! Textured Embossed Cover Includes 4-Page Photo Insert & Lyric Sheet. Features “Back In The Saddle”, “Last Child” & Their Heaviest Song, “Nobody’s Fault”. Many Would Say ‘Rocks’ Is The Best Aerosmith Album… And I Would Not Disagree!
Condition – Vinyl: NEAR MINT!
Condition – Cover: EXCELLENT! Little bit of spine wear, overall beautiful!
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. The covers are printed on better quality heavy stock paper. Near Mint condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Back In The Saddle
Last Child
Rats In The Cellar
Combination
Side 2:
Sick As A Dog
Nobody’s Fault
Get The Lead Out
Lick And A Promise
Home Tonight
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Sony / CBS Records (1976)
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Rocks did the best job of capturing Aerosmith at their most raw and rocking. A superb follow-up to their masterwork Toys in the Attic. Few albums have been so appropriately named as Aerosmith's 1976 classic Rocks. Despite hard drug use escalating among bandmembers, Aerosmith produced a superb follow-up to their masterwork Toys in the Attic, nearly topping it in the process. Many Aero fans will point to Toys as the band's quintessential album (it contained two radio/concert standards after all, "Walk This Way" and "Sweet Emotion"), but out of all their albums, Rocks did the best job of capturing Aerosmith at their most raw and rocking. Like its predecessor, a pair of songs have become their most renowned -- the menacing, hard rock, cowboy-stomper "Back in the Saddle," as well as the downright viscous funk groove of "Last Child." Again, even the lesser-known tracks prove essential to the makeup of the album, such as the stimulated "Rats in the Cellar" (a response of sorts to "Toys in the Attic"), the Stonesy "Combination," and the forgotten riff-rocker "Get the Lead Out." Also included is the apocalyptic "Nobody's Fault," the up-and-coming rock star tale of "Lick and a Promise," and the album-closing ballad "Home Tonight." With Rocks, Aerosmith appeared to be indestructible.