Product Description
Very Rare 1980 Japanese First Pressing Still In Top Condition! Awesome Sound Quality! Title & AC/DC Logo Are Nicely Embossed On Front Cover. Includes 4-Page Insert With Lyrics In English. The Song Titles On The Back Are Listed In Random Order! “Giving The Dog A Bone” Mis-Spelled As “Given The Dog A Bone”. Labels Are Clean.
Following The Tragic Death Of Original AC/DC Singer, Bon Scott, On 20 February 1980, ‘Back In Black’ Was The First AC/DC LP To Feature Brian Johnson On Vocals And Became The Band’s Tribute To Bon.
Condition – Vinyl: NEAR MINT! Some very light, wispy surface marks ~ definitely not audible. Huge, impressive sound!
Condition – Cover: EXCELLENT! Minor wear, small (claw?) mark under title on front. Amazingly nice and black still after 42 years!
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Near Mint condition Japanese pressings are becoming scarcer ~ therefore more collectable and valuable every year.
Side 1:
Hells Bells
Shoot To Thrill
What You Do For Money Honey
Giving The Dog A Bone
Let Me Put My Love Into You
Side 2:
Back In Black
You Shook Me All Night Long
Have A Drink On Me
Shake A Leg
Rock And Roll Ain’t Noise Pollution
AMG –
AC/DC deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black”! The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. Bon sounded like a criminal, Brian Johnson sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black”, which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.