The Doors – Morrison Hotel (Vinyl)
Elektra Records (1970)
$70.00
Mega Rare Original New Zealand Pressing Of The Fifth LP By The Doors. Vinyl & Cover In Great Condition! Laminated Flipback Cover. Includes “Roadhouse Blues”, “Waiting For The Sun”, “Peace Frog”, “Land Ho!”, “The Spy”, “Maggie M’Gill” & More!
Out of stock
Product Description
Mega Rare Original New Zealand Pressing Of The Fifth LP By The Doors. Vinyl & Cover In Great Condition! Laminated Flipback Cover.
Includes “Roadhouse Blues”, “Waiting For The Sun”, “Peace Frog”, “Land Ho!”, “The Spy”, “Maggie M’Gill” & More!
Condition – Vinyl: EXCELLENT! Couple of light surface marks — SOUNDS SUPERB!
Condition – Cover: VERY GOOD PLUS. Some shelf wear, creases. Name & small stain on back.
The Doors were one of the most influential and controversial rock bands of the 1960s. The dark poetry and shamanic presence of Jim Morrison was the main feature of their mystical blues-based sound.
Side 1 – Hard Rock Cafe:
Roadhouse Blues
Waiting For The Sun
You Make Me Real
Peace Frog
Blue Sunday
Ship Of Fools
Side 2 – Morrison Hotel:
Land Ho!
The Spy
Queen Of The Highway
Indian Summer
Maggie M’Gill
Additional Information
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Elektra Records (1970)
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The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that returned them to critical favor with hip listeners. 4 ½ Stars The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still present on "Waiting for the Sun," "Queen of the Highway," and "Indian Summer"; "Ship of Fools" and "Land Ho!" struck effective balances between the hard rock arrangements and the narrative reach of the lyrics. "Peace Frog" was the most political and controversial track, documenting the domestic unrest of late-'60s America before unexpectedly segueing into the restful ballad "Blue Sunday." "The Spy," by contrast, was a slow blues that pointed to the direction that would fully blossom on L.A. Woman.