Rod Stewart – Every Picture Tells A Story (Vinyl) Japanese Pressing
Mercury Records (1971 / This Pressing 1978)
$40.00
Scarce Early Japanese Pressing ~ Vinyl Still In Top Condition! Includes Insert With Lyrics. Features “Maggie May”, “Reason To Believe”, “Every Picture Tells A Story” & “I Know I’m Losing You”.
Out of stock
Product Description
Scarce Early Japanese Pressing ~ Vinyl Still In Top Condition! Includes Insert With Lyrics In English & Japanese. Regarded As The Best Rod Stewart Album! Features “Maggie May”, “Reason To Believe”, “Every Picture Tells A Story” & “I Know I’m Losing You”.
Condition – Vinyl: NEAR MINT!
Condition – Cover: EXCELLENT! Minor spots of foxing.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Near Mint Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Every Picture Tells A Story
Seems Like A Long Time
That’s All Right
Tomorrow Is Such A Long Time
Side 2:
Maggie May
Mandolin Wind
(I Know) I’m Losing You
Reason To Believe
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Mercury Records (1971 / This Pressing 1978)
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Every song on the album, whether it's a cover or original, is a gem, combining to form a romantic, earthy portrait of a young man joyously celebrating his young life. Without greatly altering his approach, Rod Stewart perfected his blend of hard rock, folk, and blues on his masterpiece, Every Picture Tells a Story. Marginally a harder-rocking album than Gasoline Alley -- the Faces blister on the Temptations cover "(I Know I'm) Losing You," and the acoustic title track goes into hyper-drive with Mick Waller's primitive drumming -- the great triumph of Every Picture Tells a Story lies in its content. Every song on the album, whether it's a cover or original, is a gem, combining to form a romantic, earthy portrait of a young man joyously celebrating his young life. Of course, "Maggie May" -- the ornate, ringing ode about a seduction from an older woman -- is the centerpiece, but each song, whether it's the devilishly witty title track or the unbearably poignant "Mandolin Wind," has the same appeal. And the covers, including definitive readings of Bob Dylan's "Tomorrow Is Such a Long Time" and Tim Hardin's "Reason to Believe," as well as a rollicking "That's All Right," are equally terrific, bringing new dimension to the songs. It's a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music -- few rock albums are quite this powerful or this rich.