Neil Young & Crazy Horse – Zuma (Vinyl)
Reprise Records (1975 / This Pressing 2011)
$39.00
Brand New — Sealed. Textured Cover Includes Inner Sleeve. Features Concert Favourites “Cortez The Killer” & “Danger Bird”, Plus Crosby, Stills & Nash On “Through My Sails”.
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Product Description
Brand New — Sealed Reissue Edition Of The Seventh Studio LP By Neil Young. Textured Cover Includes Inner Sleeve. Features Concert Favourites “Cortez The Killer” & “Danger Bird”, Plus Crosby, Stills & Nash On “Through My Sails”.
Side 1:
Don’t Cry No Tears
Danger Bird
Pardon My Heart
Lookin’ For A Love
Barstool Blues
Side 2:
Stupid Girl
Drive Back
Cortez The Killer
Through My Sails
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Reprise Records (1975 / This Pressing 2011)
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Some of the most melodic, pop-oriented tunes Young had crafted in years, played with an electric-guitar-drenched rock intensity. 4 ½ Stars Having apparently exorcised his demons by releasing the cathartic Tonight's the Night, Neil Young returned to his commercial strengths with Zuma (named after Zuma Beach in Los Angeles, where he now owned a house). Seven of the album's nine songs were recorded with the reunited Crazy Horse, in which rhythm guitarist Frank Sampedro had replaced the late Danny Whitten, but there were also nods to other popular Young styles in "Pardon My Heart," an acoustic song that would have fit on Harvest, his most popular album, and "Through My Sails," retrieved from one of Crosby, Stills, Nash & Young's abortive recording sessions. Young had abandoned the ragged, first-take approach of his previous three albums, but Crazy Horse would never be a polished act, and the music had a lively sound well-suited to the songs, which were some of the most melodic, pop-oriented tunes Young had crafted in years, though they were played with an electric-guitar-drenched rock intensity. The overall theme concerned romantic conflict, with lyrics that lamented lost love and sometimes longed for a return ("Pardon My Heart" even found Young singing, "I don't believe this song"), though the overall conclusion, notably in such catchy songs as "Don't Cry No Tears" and "Lookin' for a Love," was to move on to the next relationship. But the album's standout track (apparently the only holdover from an early intention to present songs with historical subjects) was the seven-and-a-half-minute epic "Cortez the Killer," a commentary on the Spanish conqueror of Latin America that served as a platform for Young's most extensive guitar soloing since his work on Everybody Knows This Is Nowhere. 4 ½ Stars