Emmylou Harris – Wrecking Ball: Deluxe Edition (3LP Vinyl) 2016 Record Store Day Exclusive
Nonesuch Records (2016)
$130.00
Brand New — Sealed! Limited Edition 3LP 180 Gram Audiophile Vinyl. Limited To 5,000 Worldwide & Featuring 13 Bonus Tracks. Includes Fold-out Insert With Lyrics, Credits & Picture Of Emmylou.
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Brand New — Sealed! Limited Edition 3LP 180 Gram Audiophile Vinyl. Limited To 5,000 Worldwide & Featuring 13 Bonus Tracks. Includes Fold-out Insert With Lyrics, Credits & Picture Of Emmylou.
The long-awaited audiophile-quality vinyl reissue of Emmylou Harris’ 1995 Grammy-winning masterpiece, ‘Wrecking Ball’! Beautifully produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson), Emmylou’s finest album features appearances by Neil Young, Lucinda Williams, Brian Blade, Kate and Anna McGarrigle, among others. The triple set includes the original album sequence, as well as outtakes and alternate versions from the legendary, original recording sessions.
Wrecking Ball
Side 1:
Where Will I Be
Goodbye
All My Tears
Wrecking Ball
Side 2:
Goin’ Back To Harlan
Deeper Well
Every Grain Of Sand
Sweet Old World
Side 3:
May This Be Love
Orphan Girl
Blackhawk
Waltz Across Texas Tonight
Deeper Well — The Wrecking Ball Outtakes
Side 4:
Still Water
Where Will I Be
All My Tears
How Will I Ever Be Simple Again
Side 5:
Deeper Well
The Stranger Song
Sweet Old World
Gold
Side 6:
Blackhawk
May This Be Love
Goin’ Back To Harlan
Where Will I Be
Deeper Well
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Nonesuch Records (2016)
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AMG –
Rich in atmosphere and haunting in its dark complexity, Wrecking Ball is a leftfield masterpiece, the most wide-ranging, innovative, and daring record of Harris' career. Wrecking Ball is a leftfield masterpiece, the most wide-ranging, innovative, and daring record in a career built on such notions. Rich in atmosphere and haunting in its dark complexity, much of the due credit belongs to producer Daniel Lanois; best known for his work with pop superstars like U2 and Peter Gabriel, on Wrecking Ball Lanois taps into the very essence of what makes Harris tick -- the gossamer vocals, the flawless phrasing -- while also opening up innumerable new avenues for her talents to explore. The songs shimmer and swirl, given life through Lanois' trademark ringing guitar textures and the almost primal drumming of U2's Larry Mullen, Jr. The fixed point remains Harris' voice, which leaps into each and every one of these diverse compositions -- culled from the pens of Neil Young, Bob Dylan, Jimi Hendrix, Steve Earle, and others -- with utter fearlessness, as if this were the album she'd been waiting her entire life to make. Maybe it is.