David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (Vinyl) Japanese Pressing
RCA Records (1972 / This Pressing 1982)

1 review for David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (Vinyl) Japanese Pressing
RCA Records (1972 / This Pressing 1982)

1. 

   5 out of 5

   AMG – August 7, 2015

   Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Borrowing heavily from Marc Bolan’s glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise & Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, Bowie’s fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Mick Ronson plays with a maverick flair that invigorates rockers like “Suffragette City,” “Moonage Daydream,” and “Hang Onto Yourself,” while “Lady Stardust,” “Five Years,” and “Rock ‘n’ Roll Suicide” have a grand sense of staged drama previously unheard of in rock & roll. And that self-conscious sense of theater is part of the reason why Ziggy Stardust sounds so foreign. Bowie succeeds not in spite of his pretensions but because of them, and Ziggy Stardust — familiar in structure, but alien in performance — is the first time his vision and execution met in such a grand, sweeping fashion.