Product Description
Rare Actual 1978 Japanese First Pressing Of The Best Blondie LP ~ Complete With Highly Collectable Obi Strip! Vinyl Still In Top Condition Over 47 Years Later! Includes Insert With Lyrics In English, Labels Are Clean.
Condition – Vinyl: NEAR MINT! Fantastic!
Condition – Cover: VERY GOOD PLUS! Some foxing.
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Near Mint condition original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Hanging On The Telephone
One Way Or Another
Picture This
Fade Away And Radiate
Pretty Baby
I Know But I Don’t Know
Side 2:
11:59
Will Anything Happen
Sunday Girl
Heart Of Glass
I’m Gonna Love You Too
Just Go Away
AMG –
Parallel Lines gave Blondie a number one with "Heart of Glass" and three more hits, but what impresses is the album's depth and consistency! Blondie turned to British pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band. But it wasn't just Chapman that made Parallel Lines Blondie's best album; it was the band's own songwriting, including Deborah Harry, Chris Stein, and James Destri's "Picture This," and Harry and Stein's "Heart of Glass," and Harry and new bass player Nigel Harrison's "One Way or Another," plus two contributions from nonbandmember Jack Lee, "Will Anything Happen?" and "Hanging on the Telephone." That was enough to give Blondie a number one on both sides of the Atlantic with "Heart of Glass" and three more U.K. hits, but what impresses is the album's depth and consistency -- album tracks like "Fade Away and Radiate" and "Just Go Away" are as impressive as the songs pulled for singles. The result is state-of-the-art pop/rock circa 1978, with Harry's tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors led by Madonna.