Product Description
Super Rare Actual 1966 First New Zealand Pressing On Blue Parlophone Label! Almost 60 Years Old ~ Plays Well! Front Laminated Flipback Cover With Gold Mono Sticker. Pinched Spine, Labels Clean. Includes Original HMV NZ Inner Sleeve, Advertising TVs & Washing Machines! The Beatles Album That Changed Everything!
Matrices: XEX 605 2 / XEX 606 3 (Stamped).
‘Revolver’ contains everything you love about The Beatles ~ a great variety of faultless songs, beautifully performed. A perfect album and one that always tops favourite charts. Ranked #1 in Q’s ‘100 Greatest British Albums’. Ranked #2 in NME’s list of the ‘Greatest Albums of All Time’.
Condition – Vinyl: VERY GOOD! Looks VG / Play VG+ Surface marks, crackles, no jumps or repeats ~ sounds great!
Condition – Cover: VERY GOOD! Medium ring wear, discolouring on bottom left corner, creases around spine, name on back.
Side 1:
Taxman
Eleanor Rigby
I’m Only Sleeping
Love You To
Here, There And Everywhere
Yellow Submarine
She Said She Said
Side 2:
Good Day Sunshine
And Your Bird Can Sing
For No One
Dr. Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
AMG –
It's possible to argue that there are better Beatles albums, yet no album is as historically important as this. With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art-song, classical music, rock & roll, and music hall, often in the course of one song. Not once does the diversity seem forced -- the genius of the record is how the vaudevillian "When I'm 64" seems like a logical extension of "Within You Without You" and how it provides a gateway to the chiming guitars of "Lovely Rita." There's no discounting the individual contributions of each member or their producer, George Martin, but the preponderance of whimsy and self-conscious art gives the impression that Paul McCartney is the leader of the Lonely Hearts Club Band. He dominates the album in terms of compositions, setting the tone for the album with his unabashed melodicism and deviously clever arrangements. In comparison, Lennon's contributions seem fewer, and a couple of them are a little slight but his major statements are stunning. "With a Little Help From My Friends" is the ideal Ringo tune, a rolling, friendly pop song that hides genuine Lennon anguish, à la "Help!"; "Lucy in the Sky With Diamonds" remains one of the touchstones of British psychedelia; and he's the mastermind behind the bulk of "A Day in the Life," a haunting number that skillfully blends Lennon's verse and chorus with McCartney's bridge. It's possible to argue that there are better Beatles albums, yet no album is as historically important as this. After Sgt. Pepper, there were no rules to follow -- rock and pop bands could try anything, for better or worse. Ironically, few tried to achieve the sweeping, all-encompassing embrace of music as the Beatles did here.