Beatles – Revolver (Vinyl) Japanese Pressing
Apple Records (1966 / This Pressing 1976)
$90.00
Rare Tenth Anniversary Early Japanese Pressing, Cut From UK Master! Vinyl Still In Immaculate Condition, Nice Cover. Japan’s Apple Logo Replaces The Parlophone Logo On Front.
1 in stock
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Very Rare Tenth Anniversary Early Japanese Pressing Of The Beatles Classic LP, Cut From UK Master! Vinyl Still In Immaculate Condition, Very Nice Cover. Japan’s Apple Logo Replaces The Parlophone Logo On Front. Labels Are Clean.
‘Revolver’ contains everything you love about The Beatles ~ a great variety of faultless songs, beautifully performed. A perfect album and one that always tops favourite charts.
Ranked #1 in Q’s ‘100 Greatest British Albums’.
Ranked #2 in NME’s list of the ‘Greatest Albums of All Time’.
Condition – Vinyl: NEAR MINT! Vintage Beatles LP in beautifully preserved condition!
Condition – Cover: EXCELLENT! Amazing for for nearly 50 years old!
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. No wonder all the original Mobile Fidelity Sound Lab records were pressed in Japan! The covers are printed on better quality heavy stock paper too. Near Mint original Japanese pressings are becoming scarcer ~ and therefore more collectable and valuable every year.
Side 1:
Taxman
Eleanor Rigby
I’m Only Sleeping
Love You To
Here, There And Everywhere
Yellow Submarine
She Said She Said
Side 2:
Good Day Sunshine
And Your Bird Can Sing
For No One
Dr. Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
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Apple Records (1966 / This Pressing 1976)
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All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound... he gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with the spiraling "She Said She Said" and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.